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bibliography texts

Related Bibliography

• ALZUGARAY, P; GAZIRE, N. Border cartography, Istoé. Sao Paulo,
No. 2175, 07/15/2011.
• CARBALLAS, M. Activate a Story. In: GRINO ANDRES, A. (org),
Encounter between two seas – Bienal de São Paulo-Valencia. São Paulo/
Valencia: Fundación de la Comunidad Valenciana para la Promoción de
las Artes/Generalitat Valenciana, 2007. p.454-471.
• CHRIST, HD; DRESSLER, I. SUBVERSIVE PRACTICES – Art Under
Conditions of Political Repression: 60s-80s/ South America / Europe.
Stuttgart: Hatje Cantz, 2010, p. 245-289.
• COCCHIARALE, F.; MATESCO, V. The Body in Contemporary Art
Brasileira. São Paulo: Itaú Cultural, 2005.
• COCCHIARALE, F. “Beginnings of video art in Brazil”. In MACHADO,
Arlindo, Made in Brazil, Three decades of Brazilian video. São Paulo: Itaú Cultural / Iluminuras, 2007. Pp. 61-68.
• DA COSTA, LC. “Leticia Parente: video art as a practice of divergence. In PARENTE, A. (org). Preparations and Tasks. Leticia Parente. São Paulo: Paço das Artes, 2007, pp 22-37.
• DA COSTA, LC. “The scissors, the syringe and the measurements: the archival effect in contemporary art.” In MACIEL, K. (org) Transcinemas. Rio de Janeiro: Contra-Cover. 2009, pp. 303-313.
• FERREIRA, G.; TERRA, P. Situações – Brazilian Art in the 70s.
Rio de Janeiro: Casa França-Brasil, 2000. p.26.
• FERREIRA, G. Anos 70 – Art as an issue. Sao Paulo: Instituto Tomie
Ohtake, 2007.
• FLORIDO, M. “The Flesh of the Image”. In PARENTE, A. (org). Preparations
and Tasks. Leticia Parente. São Paulo: Paço das Artes, 2007. Pp78-84.
• FREIRE, C. Conceptual Art and Conceptualisms – The 70s in the collection of
MAC-USP. São Paulo: MAC-USP, 2000.
• FLORIDO, M. Freedom as a legacy. O Globo, Rio de Janeiro,
Second Notebook, p.4., 08/01/2011.
• FREIRE, C. Poetics of the process – Conceptual art in the Museum.
São Paulo: MAC USP / Iluminuras, 1999, p. 110-111; P. 175-179.
• GUEDES, J. From Picasso to Gary Hill. Fortaleza: IVAM/ Museum of Art
Contemporânea Dragão do Mar, 2010. p.92-93.
• MACHADO, A. Made in Brazil, Three decades of Brazilian video.
São Paulo: Itaú Cultural, 2003.
• MACHADO, Arlindo, Made in Brazil, Three decades of Brazilian video.
São Paulo: Itaú Cultural / Iluminuras, 2007.
• MACIEL, K. “The House”. In PARENTE, A. (org). Preparations and Tasks.
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• Leticia Parente. São Paulo: Paço das Artes, 2007, pp. 49-50.
• MARTI, S. Video pioneer wins retrospective. Folha de São Paulo,
Sao Paulo. Illustrated, E6. 07/14/2011.
• MELLO, Christine. Video ends. São Paulo: Senac, 2008.
• MOREIRA S CRUZ, R. Experimental paths: Cultural Management in Cinema
and Video. São Paulo: Itaú Cultural Observatory, nº10, p.47-50, 2010.
• MOSCATI, G.; PECCININI, D. Red Project – Experimental operation.
São Paulo: FAAP, 1986.
• PARENT A. Trademark. Video and Work by Leticia Parente.
In: DA COSTA, LC (org), Registration devices in art
contemporary. Rio de Janeiro: Contra Capa, 2009, p. 101-110.
• PARENTE, Letícia. Leticia Parente by Leticia Parente.
In: TSANTSANOGLOU M. (org). BIENNALE 2. Thessaloniki: Ministry of
Culture, 2009, p. 226-229; p.289.
• PARENTE, A. (org). Preparations and Tasks. Leticia Parente. São Paulo:
Palace of the Arts, 2007.
• PARENTE, A. “Hello, is this Letícia?”. In PARENTE, A. (org). Preparations and
Tasks. Letícia Parente. São Paulo: Paço das Artes, 2007, pp 10-19.
• PECCININI, D. Arte – New multimedia media Brazil '70|80. Sao Paulo:
FAAP, 1985.
• PLAZA , J.; ZANINI W. Visual Poetics. São Paulo: MAC-USP, 1977, sp.
• PONTUAL, R. Formal is not informal. Jornal do Brasil, Section B, p.2.
Rio de Janeiro, 09/4/1976.
• PONTUAL, R. Support, Technical and image. Jornal do Brasil, Section B,
p.2. Rio de Janeiro, 08/28/1975.
• PONTUAL, R. Pontual, R. Measurements outside and inside. Jornal do Brasil,
Rio de Janeiro, Notebook B, p.2, 06/24/1976.
• SENRA, E. “Tela Pele”. Folha de São Paulo. São Paulo, Caderno Mais!,
p.4-9. 04/30/2000.
• SENRA, E. Bodies, cinema, and video. In: COCCHIARALE, F.; MATESCO,
V. The body in Brazilian contemporary art. São Paulo: Itaú Cultural,
2005, 163-169.
• SHTROMBERG, E. Enacting Censorship in Early Brazilian Video Art
(1974-1978). In: WELCHMAN, JC The Aesthetics of Risk. Zurich: JRP|
Ringier, 2006, p. 273-291.
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• SILVESTRE FRIQUES DE SOUSA, MA The closet of me: the video performances of Letícia Parente._cc781905-5cde-3194-bb3b-136bad5cf098d_2. Qualifying Examination – Center for Letters and Arts – Federal University of the State of
Rio de Janeiro, Rio de Janeiro. 2009.
• SILVESTRE FRIQUES DE SOUSA, MA For an archeology of time
present: the video performances and other works by Letícia Parente.
2009. Dissertation (Master's), Center for Letters and Arts – University
Federal of the State of Rio de Janeiro, Rio de Janeiro. 2009.
•SILVESTRE FRIQUES, M. Origens , records and shifts in
Trademark. Concinnitas. Rio de Janeiro. Year 11, vol 2., nº 17
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• ZANINI, W. (org). XVI Bienal de São Paulo – Postal Art. São Paulo:
São Paulo Biennial Foundation, 1981.
• ZANINI, W. Oitava Jovem Arte Contemporânea. São Paulo: MAC-USP,
1974, sp.
• ZANINI, W. The video art meeting. The State of Sao Paulo, Sao Paulo,
01/12/1979, sp Presentation and Testimony of the artists. Modern Art Gallery-Monthly Visual Arts Journal, Rio de Janeiro, nº38, p.6.; p.8; April/May 1977.
Modern Art Gallery – Monthly Visual Arts Journal, Rio de Janeiro, nº28, p.8, June 1976.
Modern Art Gallery – Monthly Journal of Visual Arts Presentation and
Testimonials from the artists. Rio de Janeiro, nº38, p.6.; p.8, April/May, 1977.
• PONTUAL, R. Brazil goes to Europe, Jornal do Brasil, Caderno B. sd
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• MORAIS, F. Audio-visual: New stage. Sd,sn. 236

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