top of page

→ Archaeology of everyday life: objects of use, André Parente and Katia Maciel
 

→ Hello, is this Letícia?, André Parente
 

→ The measure of the house is the body, Katia Maciel
 

→ The video art of Letícia Parente, Rogério Luz
 

→ The third way. Interview, Fernando Cochiaralle
 

→ An apparent world, Jorge La Ferla
 

→ I, the world of myself, Clarissa Diniz
 

→ Persistence of consciousness: marks of identity, Cristina Tejo
 

→ Letícia Parente: video art as a practice of divergence, Luiz Cláudio da Costa
 

→ Portrait of Letícia Parente, Fernando Cocchiaralle 
 

→ Measurements, inside and out, Roberto Pontual 

→ The body inscribed in the poetic creation of Letícia Parente, Kathleen Raelle de Paiva Silveira.

 

→ On the art of video. Visibility regimes of the fragmented body: Letícia Parente and Lia Chaia, Regilene Sarzi-Ribeiro.
 

→ The human figure in the work of Letícia Parente: Lines, measurements and proportions, Manoel Silvestre Friques
 

→ The three generations of Brazilian video, Arlindo Machado

→ Bodies, aesthetic subjectivities and art and feminisms: passages in research in Psychology, Roberta Stubs, Fernando Silva Teixeira-Filho, Dolores Galindo, Danielle Miliolill

→ Video art in Brazil: A historical perspective, Thamara Venâncio de Almeida

 

→ Corpography: Analysis of the poetic production of artists Letícia Parente, Regina José Galindo and Andressa Cantergiani

→ Visualities and Gender: Experimentation and Subversion in Letícia Parente and Márcia X, Fabiana Lopes de Souza, Maristani Polidori Zamperetti 

→ Letícia Parente in Pacific Standard Time - LA/LA (Los Angeles/Latin America), Paulina Pardo Gaviria

→ Letícia Parente’s first video: The wall of a building called Brazil, Katia Maciel

→ The body and the woman who is there: Visual essays by three female artists in Brazil from 1968 to 1975, Thainá Maria da Silva and Bianca Knaak 

→ The Body between art and the Dictionary of the Home: a reading of Letícia Parente’s domestic videos, Silvia Amélia Nogueira de Souza

 

→ The disciplinary and the domestic: Household images in the video performances of Letícia Parente, Gillian Sneed

 

→ The use of the body as a means of communication in Brazilian video art: Letícia Parente, Analívia Cordeiro, Otávio Donasci

 

→ Letícia Parente: Embodying New Media Art Strategies in 1970s Brazil, Paulina Pardo Gaviria

 

→ Slideshows: a critical study of audiovisuals in Brazilian art (1972-1975), Roseane Andrade de Carvalho

 

→ Sonia Andrade and Letícia Parente, two Brazilian video artists in an exhibition of avant-garde feminist art from the 1970s, Ana Claudia Camila Veiga de França, Ronaldo de Oliveira Corrêa

 

→ Video Art and Video Dance: Letícia Parente and the New Arts in the Land of the Sun, Liliane Luz Alves, Tito Barros Leal

 

→ Video Art in Brazil in the 1970s: anti-television towards mass democracy, Carolina Amaral de Aguiar

→ Testimony on video art in Brazil, Cacilda Teixeira da Costa

 

→ "Zanini's MAC", video art and pioneers: 1974-1978, Carolina Amaral de Aguiar

 

→ Participation and interactivity in video installations, Roberto Moreira da S. Cruz

→ Screen - Skin, Stella Senra

 

→ 8th International Vídeo Art Festival

 

→ The Subversion of Media Exhibition

→ The Flesh of the Image, Marisa Flórido Cesar

→ Distorted Paths: Seams, Resignifications and the Sensitivity that Renews Over Time, Daniela Castro

→ Origins, Records and Displacements in Marca Registrada, Manoel Silvestre Friques


→ The Body in the Foreground - An Analysis of the Video Marca Registrada by Letícia Parente, Regilene Aparecida Sarzi Ribeiro

→ Body, Video Art and the Role of Media Languages ​​in the Construction of Meaning and Visuality in Visual Arts, Regilene Aparecida Sarzi Ribeiro

Retrato de Letícia Parente, Fernando Cocchiaralle 

bottom of page